Weather Report: “Third Stone from the Sun” – Jaco Pastorius’ alien reveries

Cross post:

http://notesonbeing.com/2014/04/27/20-epic-photos-of-earth-from-space-taken-from-the-iss/

Jaco and Jimi - a meeting of minds

Jaco and Jimi – a meeting of minds

On the topic of cover songs (Seether – “Careless Whisper”), Weather Report’s “Third Stone from the Sun”, imaginatively re-interprets the original, though it’s still jazz rock fusion. Hendrix’ mainly instrumental piece (it has some dialogue in place of lyrics) has often been cited as an early example of fusion. The song was released in 1967 on the album “Are You Experienced?” It’s a trippy perspective on Earth from an extra-terrestrial spaceship, with spacy reverberations. Virtuoso fretless bass player Jaco Pastorius, as always, dominates Weather Report’s version, soloing Hendrix’ lead on bass, employing improvisation, effects, slap percussion and inventively utilised harmonics. These were alien applications of the instrument in the day. The result is a uniquely creative expression of Hendrix’ most enigmatic recorded composition. Jaco does it his way and the audience is left in awe.

Third Stone from the Sun chorus

Third Stone from the Sun chorus

Weather Report, co-led by the Austrian-born keyboard player Joe Zawinul and the American saxophonist Wayne Shorter were extraordinary musicians, leading artists of the jazz fusion genre in the day. Joni Mitchell often hired the entire group (excluding Zawinul) for her studio albums, drummer Don Alias and Pastorius featuring on the 1980 double live album “Shadows and Light”, alongside lead guitarist Pat Metheny, keyboardist Lyle Mays and saxophonist Michael Brecker – a dream line-up. (Mitchell’s collaboration with Pastorius was dazzlingly inspired. Give the album a listen; unlike “Hejira” and “Mingus” Jaco performs on every track and it’s a striking auditory experience.)

Joni Mitchell and Jaco Pastorius - an inspired musical collaboration

Joni Mitchell and Jaco Pastorius – an inspired musical collaboration

Jaco Pastorius was exceptional among even these luminaries, hugely influential as he revolutionised the role of the bass guitar in the late 1970s and the 1980s. He notably used a floating thumb technique on the right hand, anchoring on the bridge pickup while playing on the E and A strings and muting the E string with his thumb while playing on higher strings, accomplishing distinctive syncopated ghost notes (a more rhythmic than melodic or harmonic musical value, thereby adding momentum and drive to a bass line). According to Wikipedia, (Jaco was known for) “highly technical, Latin-influenced 16th-note funk, lyrical soloing on fretless bass and innovative use of harmonics. He was inducted into the Down Beat Jazz Hall of Fame in 1988, one of only seven bassists so honoured (and the only electric bass guitarist)”.

Jaco Pastorius onstage

Jaco Pastorius onstage

There have been extraordinary bassists in non-classical music – Victor Wooten, Les Claypool, Flea, Pete Entwhistle, and the prodigy Cliff Burton come easily to mind as top of their field. Yet to this day, no-one has played bass harmonics to greater effect, nor been as significant in the progression of these techniques than Jaco. He was murdered in 1987, at the age of 35, by a nightclub bouncer. It was a tragic end for a man who, while battling bi-polar disorder, lived for playing that instrument and expanding its possibilities. Robert Trujillo, Metallica’s bass player since 2000, cites Pastorius as an influence. Robert is custodian of the Bass of Doom, Jaco’s defretted 1962 Fender jazz bass. It’s been restored and Robert has been spotted playing it with Metallica.

Along with the YouTube link to Weather Report’s “Third Stone from the Sun” clip (#1); #2 is a compilation from 10 major rock magazines of the thirty best bass players in history; #3 is Rolling Stone magazine’s list, narrowed down to the top 10, with the addition by the poster of Iron Maiden’s Steve Ferris. These lists are always contentious of course, but I find them compelling anyway. Are you a fan of the bass guitar? Do you agree with either of these lists? Disagree? Who is your favourite bass player?

1. Weather Report – Third Stone from the Sun, with Jaco Pastorius.

2. 30 Best Bass Players in History (compilation from 10 major rock magazines)

3. Top 10 Best Bass Players (Rolling Stone list + 1)

 

Wedding Cake Island – Midnight Oil (Instrumental) 1980, Sydney surf music

Midnight Oil: “Wedding Cake Island” https://www.youtube.com/watch?v=j3FQwovIJw0

Soundtrack cross post: http://notesonbeing.com/2014/05/13/the-art-of-circular-quay/

Wedding Cake Island is a small rocky outcrop a few hundred metres off the coast of Coogee Beach. Island is an optimistic term; it’s wet and rocky – not a place to visit for recreation. The surf break around there is excellent when the swell is right, like most Sydney beaches.

Surfing Wedding Cake Island

Surfer Stephen Sharpe backdooring a big barrel at Coogee - “the Southie” just offshore.

Surfer Stephen Sharpe backdooring a big barrel at Coogee – “the Southie” just offshore.

This is a superb instrumental track from Midnight Oil; you don’t need to be a fan to appreciate it. There is a kind of vocal on the track. If you listen carefully, at 2:23 you can hear the words “north swell ‘round the Byron Pass mate”. The story goes that the studio recording ran overtime and a member of Cold Chisel opened the door and interrupted the session with this remark. “Bird Noises”, the album on which this track features, was recorded at the Music Farm Studios in the hills behind Byron Bay, pictured below. All the top bands stayed there and recorded albums in the 70s and 80s (I stayed there for a while around 1980 – I was well-connected in those days).

bb music farm 2

bb music farm 5

bb music farm 6bb music farm 4bb music farm 7bb music farm 8bb music farm 1

The new owner, Eric Roberts, has now refurbished the control room and expanded the console to it’s full 42 input capacity. He has added new effects units and Pro Tools and the whole studio is up and going again under the direction of Greg Courtney.

Byron Bay, also legendary for its beaches, is on the Far North Coast of New South Wales. (Waves refracting around Cape Byron tend to run almost at right angles along The Pass. These produce the surf for which it is internationally famous.) Keen Sydney surfers regularly take the pilgrimage – approximately 770 kilometres, about a 9 hour drive or 1 hour by plane – northward to Byron to experience these spectacular conditions.

I’ll create a post on Sydney’s beaches at a later date, but this is a nice piece of music to accompany the post on Circular Quay; Sydney is all about the Harbour and beaches. Surf music from a much-loved local band seems right. The Oils played and recorded alt rock and hard rock from 1976 to 2002, initially establishing a fan base solely in Sydney.

The tune was written by guitarists Martin Rotsey and Jim Moginie and features them on guitars. Rob Hirst plays drums and Peter Gifford adds bass. Charismatic front man Peter Garret (recently serving as Federal Minister for Education) is not included on the track. This was one of the rare Midnight Oil tracks played on local radio; their huge popularity was built almost entirely on their live shows.

Midnight Oil: Martin Rotsey, Peter Garret, Rob Hirst, Jim Moginie and Peter Gifford.

Midnight Oil: Martin Rotsey, Peter Garret, Rob Hirst, Jim Moginie and Peter Gifford.

The Art of Circular Quay

 Sound: http://notesonbeing.com/2014/05/13/wedding-cake-island-midnight-oil-instrumental-1980-sydney-surf-music/

Circular Quay today

Circular Quay today

balmian to cq by care

The Circular Quay precinct, on the south side of Sydney Harbour, about 6 kilometres by car from where I live on the Balmain Peninsula, is my favourite part of Sydney. Situated at the northern end of Sydney’s CBD, bounded by The Royal Botanic Gardens, The Art Gallery of NSW, the Museum of Contemporary Art and sparkling Sydney Harbour, it is dotted with bars, shops and cafes, and features the World Heritage listed Opera House and iconic Harbour Bridge, with the historic Rocks nearby to the West and the Domain to the East. It is spectacularly beautiful and filled with places to explore, colour and movement. Quintessential Sydney living; there is nowhere better to be on a sunny day (most days in Sydney). Naturally, it has long been the subject of local painters and its development has been meticulously recorded in this way.

Top: look what we’ve made – Circular Quay today, the Museum of Contemporary Art to left (out of shot), the Art Gallery of NSW and the Botanic Gardens, both also out of shot. We sardonically call the monstrous modernist development in front of the Opera House “The Toaster”.  What kickbacks were paid, and to whom, we wonder? Maybe some detective work is in order. I’m pretty certain it was a State Labor Government in power at the time and they’ve recently experienced a corruption scandal. What puzzles me is, how do they feel when they daily look upon the result of their treachery? Because you know all involved now have…Harbour views. Oh the irony!

Paintings 1 & 2: Arthur Streeton 1864 – 1943, Landscape painter of the Heidelberg School art movement, or Australian Impressionism. Images of Sydney Harbour, circa late 19th C.

3 & 4: Margaret Preston 1875 – 1963, Australian Modernism of the 1920s, “Circular Quay” and “The Bridge” 1932.

5. Grace Cossington Smith, 1892 – 1984, 1930s Modernist influences: “The Bridge in Curve” 1930.

“Those who love much do much and are capable of much, and that which is done with love is done well.” – Van Gogh

Circular Quay, circa 1890s - Arthur Streeton

Circular Quay, circa 1890s – Arthur Streeton

Panorama of Sydney Harbour circa 1890s - Arthur Streeton

Panorama of Sydney Harbour circa 1890s – Arthur Streeton

The Bridge, 1932 - Margaret Preston

The Bridge, 1932 – Margaret Preston

Circular Quay, 1932 - Margaret Preston

Circular Quay, 1932 – Margaret Preston

The Bridge in Curve 1930 - Grace Cossington Smith

The Bridge in Curve 1930 – Grace Cossington Smith

The Domain, a huge expanse of grass and trees leading to the Botanic Gardens and the Art Gallery of NSW, with views of the CBD.

The Domain, a huge expanse of grass and trees leading to the Botanic Gardens and the Art Gallery of NSW, with views of the CBD.

Royal Botanic Gardens at Harbour's edge with views tdf.

Royal Botanic Gardens at Harbour’s edge with views tdf.

The historic Rocks area, a little south west of Circular Quay.

The historic Rocks area, a little south west of Circular Quay.

 

Art Gallery of NSW, opposite the Royal Botanic Gardens.

Art Gallery of NSW, opposite the Royal Botanic Gardens.

Art Gallery of NSW interior.

Art Gallery of NSW interior.

The Museum of Contemporary Art, sited alongside the western walkway at Circular Quay.

The Museum of Contemporary Art, sited alongside the western walkway at Circular Quay.

sydney harbour sunset

Sydney Harbour sunset